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Soundalikes: Stickley vs. Stickley

Distinguishing Between the Furniture Firms of Related Rivals

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Gustav Stickley rocking chair with slatted sides

Gustav Stickley rocking chair with slatted sides, ebonized oak, ca.1905

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The antique-furniture universe is filled with terms or phrases that sound similar, but actually refer to different things. Periodically we examine a pair of these "soundalikes", and give you succinct explanations of what they mean, how they differ, and how not to confuse them.

The name "Stickley" is a well-known one in antique furniture circles - an avatar of Arts and Crafts design. But there are in fact two major sets of Stickley furniture-makers: Gustav Stickley on one hand, L. & J.G. Stickley on the other. Relatives and rivals, they were often confused, even in their own lifetimes.

Gustav Stickley: The Original Craftsman

The most famous member of the clan, Gustav Stickley (1858?-1942) was a furniture maker, architect and publisher. Through his designs and magazine, The Craftsman, he became the leading proponent of the American Arts and Crafts movement. Based in Eastwood, New York, his company manufactured furniture, metalwork and textiles from 1900 to 1916. He dubbed his style "Craftsman," though it is often referred to as "Mission" or "Mission Oak."

L. & J.G. Stickley: The Upstarts

The initials refer to two of Gustav's younger brothers: Leopold (1869-1957) and John George (1871-1921). After working with Gustav for a time, the pair joined up to start their own factory in Fayetteville, New York in 1902. They coyly refused to identify their design style, calling their pieces "just simple furniture on Mission lines."

Yet they were clearly following in big brother's footsteps. In fact, in a 1907 catalog, Gustav Stickley warned that "some of my most persistent and unscrupulous imitators bear the same name as myself, and this fact is used to confuse purchasers," as David Cathers recounts in Furniture of the Amercan Arts and Crafts Movement.

Together At Last

Eventually, Leopold and John George were able to openly reproduce Gustav's pieces. In 1916, Craftsman Workshops failed, and Gustav was bought out by his younger brothers. The conjoined company was briefly known as Stickley Associated Cabinetmakers, and then the Stickley Manufacturing Company. In 1974, this firm was acquired by E.J. Audi, one of its dealerships - which, under the name Stickley, Audi & Co., reproduces and creates modern adaptations of all the Stickleys' designs today.

The Same, Only Different

Stylistically and ideologically, the designs of Gustav Stickley and L.& J.G. Stickley are quite similar: exemplifying a mantra of "honest," durable work, the furniture features simple, rectilinear lines, exposed joinery, decoration limited to hand-hammered hardware. It's usually made of oak. The main differences are in the details, recognizable mainly to Stickley scholars. Straying a bit from Gustav's boxy, sharp-edged ideal, L. & J.G's works often have more fluid curves. Their tenon-locking keys are faceted, not rounded. Gustav's adjustable chairs used movable pegs, while his brothers used crossbars.

But the younger brothers' furniture "has long been considered of secondary importance," as Jonathan Fairbanks and Elizabeth Bates put it in American Furniture: 1620 to the Present. This is partly because Gustav - along with Harvey Ellis, an architect who worked with him - seems to have been the true design originator; L. & J.G's pieces often seem derivative, appearing in their catalogs a year or two after Gustav's. Many antiques experts also feel that Gustav's pieces are more elegant, more finely-tuned in proportion and detail. Sometimes, L & J.G. also used lesser-quality secondary woods.

Ironically, L & J.G. often charged higher prices than Gustav did, according to Furniture of the American Arts and Crafts Movement. Today, however, works by Gustav Stickley fetch far more than his brothers' - due to their superiority, their creator's "designer" name, and their comparative scarcity. Gustav's furniture company lasted 16 years, while Leopold and John George's continued until the 1970s (though they only produced Arts and Crafts furniture through 1923).

Identification: Look to the Labels

Nowadays, aside from documentation, the key way to identify which Stickley created an article of furniture is through labels and hallmarks on the pieces themselves.

  • Gustav's decals: Gustave Stickley Company; United Crafts; and (most common) Craftsman Workshops, Eastwood, New York. Images include a joiner's compass with the words "Als ik Kan" ("if I can"), and his signature.
  • L & J.G.'s decals: The Onondaga Shops, L & J.G Stickley, Fayetteville, N.Y; L. & J.G. Stickley, Handcraft; The Work of L & J.G. Stickley. Images include a joiner's hand screw.

But Wait, There's More

Gustav and L. & J.G. Stickley works are the most likely works antique collectors will encounter. But two other Stickley labels occasionally appear, reflecting the enterprises of two other Stickley brothers: Stickley & Brandt Chair Company, run by Charles Stickley, and Stickley Brothers Furniture Company of Grand Rapids, run by Albert Stickley.

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