Looking at his pottery, it's no wonder George E. Ohr deemed himself the "Mad Potter of Biloxi." His work was, to say the least, a little off kilter when compared to other wares made during the late 1800s through the turn of the last century. But modern art historians are now considering Ohr as one of the forefathers of the modernist movement, and in that light those freeform pots, urns and pitchers don't look quite so outlandish. Read more...

There's lots to learn about Emile Gallé, the glass made in his French workshop, and reproductions signed Gallé. Get a brief introduction to this exquisite glass through my latest feature article, see a piece from the Morse Museum, and learn more about how to recognize those pesky reproductions, too. Read more...

Killer stuff and tons of money. That's what we all want as antiques dealers, right? So when I was asked if I'd be interested in reviewing a book titled Killer Stuff and Tons of Money: Seeking History and Hidden Gems in Flea-Market America, I couldn't say yes fast enough. It doesn't really tell you how to find the old stuff we love and turn it into money per se, but it does tell the story of a show dealer and a journalist that most antiques dealers and collectors would find relative and amusing if not illuminating in a number of respects. Read more...

This tribute to women's history from a different perspective features names not well represented in mainstream historical texts, but worth recogizing nonetheless. These women had a notable impact on our culture in varied ways, and they're still recognized in their fields today. Read more...